Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Execution scene of Mary at Fotheringhay in 1587

ID: 52724

unknow artist Execution scene of Mary at Fotheringhay in 1587
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unknow artist Execution scene of Mary at Fotheringhay in 1587


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unknow artist

  Related Paintings of unknow artist :. | Floral, beautiful classical still life of flowers 021 | Portrait of Jean-Jacques Duval d'Epremesnil | Biednemu wiatr w oczy by Jozef Szermentowski | the labours of the months | Still life floral, all kinds of reality flowers oil painting 235 |
Related Artists:
king Charles Bird
American portrait Painter, 1785-1862 American painter. He was encouraged to paint by his grandfather, Nathaniel Bird (d 1796), an amateur painter, and took lessons with Samuel King, a portrait painter. In 1800-05 he was apprenticed in New York to Edward Savage, whose curious studio-museum and period of study abroad with Benjamin West impressed him deeply.
Julius Paulsen
Danish, 1860-1940 Danish painter. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen (1879-82), but found the training there uninspired and soon attached himself to more radical artists such as Peder Severin Kreyer and Laurits Regner Tuxen. A turning-point in his career came in 1885 when, with Viggo Johansen, he went to Paris. On the way they visited Amsterdam, where the art of Rembrandt made a great impact on Paulsen; in Paris he showed interest in Courbet and Monet. From 1886 his time was shared between landscape, figure and portrait painting. His first landscape, From the Village of Ry (1886; Copenhagen, Hirschsprungske Saml.), is an early example of his personal blend of Romanticism and Symbolism; it shows a golden sunset colouring the houses and gardens of the small village. His View from the Harbour after Sunset (1891; Copenhagen, Hirschsprungske Saml.) has much in common with Monet, the Copenhagen skyline barely discernible through a deep blue and iridescent atmosphere. A later visit to Paris inspired such sunlit townscapes as Under Pont des Arts in Paris, Midday Sun (1919; Copenhagen, Stat. Mus. Kst), the shimmering, sketchy surface of which is dominated by fresh blues and greens; the painting incorporates a favourite Impressionist motif, the curved filigree of the iron bridge, which both frames the scene and lends it tension.
Giuseppe Benassai
painted La parola di Dio in 1885






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